Reviews
-
Variety (Peter Debruge)
review
- The New York Times (A.O. Scott) review
-
ReelViews (James Berardinelli)
review
-
Entertainment Weekly (Owen Gleiberman)
review
- Chicago Sun-Times (Roger Ebert) review
- The Wrap (Alonso Duralde) review
- Washington Post (Ann Hornaday) review
- Washington Post (Ann Hornaday) review
- Washington Post (Ann Hornaday) review
-
Reeling Reviews (Robin and Laura Clifford)
review
-
The Flick Filosopher (MaryAnn Johanson)
review
- James Bowman review
- National Post review
- Parent Previews evaluation
- Plume Noire review
- Rolling Stone (Peter Travers) review
- Truthdig (Richard Schickel) review [with MY WEEK WITH MARILYN]
- Pajiba (Brian Prisco) review
- Film Freak Central review
- The Wall Street Journal (Joe Morgenstern) review
- The Wall Street Journal (Joe Morgenstern) review
- Looking Closer (Jeffrey Overstreet) review
- Shockya.com (Rudie Obias) review
- Shockya.com (Justin Webb) dvd review
- Shockya.com (Brian Corder) dvd review
- CineScene.com (Howard Schumann) review
- Pittsburgh Post-Gazette review
- Screen It! Entertainment Reviews for Parents evaluation
- JoBlo's Movie Emporium (Chris Bumbray) review
- Ozus' World Movie Reviews (Dennis Schwartz) review
- Film School Rejects (Jack Giroux) review
- Film School Rejects (Allison Loring) review
- Cinoche.com (Elizabeth Lepage-Boily) review
- ShowBIZ Data review
- Box Office Prophets review
- Mediasearch, Australia review
- Eclipse Magazine (Sheldon A. Wiebe) review
- CineFile : il Cinema in Rete (Alberto Cassani) review
- Qwipster's Movie Reviews (Vince Leo) review
- filmcritic.com (Sean O'Connell) review
- HitFix (Drew McWeeny) review
-
Reel Film Reviews (David Nusair)
capsule review
- LIGHTS-CAMERA-JACKSON (Jackson Murphy) review
- The Critical Critics review
- ShowBizCafe.com (Jack Rico) review
-
Eye for Film (Anne-Katrin Titze)
review
- rec.arts.movies.reviews (Mark R. Leeper) review
- MovieWeb (Jordan Stephan) review
- MovieWeb (Corey Wood) review
- Urban Cinefile review
- critic.de (Almut Steinlein) review
- The Stop Button (Andrew Wickliffe) review
- artechock (Rüdiger Suchsland) review
- Silent Volume (Chris Scott Edwards) review
- movies.com (Dave White) review
- movies.com (Grae Drake) review
- Susan Granger review
- Movie Reviews with Joan Ellis review
- Christian Spotlight on the Movies review
- Hudak on Hollywood (Dan Hudak) review
- Teen Movie Critic (Jeff Nelson) capsule review
- The Milwaukee Journal-Sentinel review
- The Smartest Film Critic in the World (Cole Smithey) capsule review
- Philadelphia Daily News (Gary Thompson) review
- Philadelphia Inquirer (Steven Rea) review
- Ruthless Reviews (Matt Cale) review
- Gone with the Twins (Chris Pandolfi) review
- ShowBizCafe.com (Jack Rico) review
- Florida Times-Union (Matt Soergel) review
- Florida Times-Union (Matt Soergel) review
- The Miami Herald review
- Filmtracks (Christian Clemmensen) soundtrack review [score]
- eFilmCritic.com (Rob Gonsalves) review
- eFilmCritic.com (Peter Sobczynski) review
- eFilmCritic.com (Brett Gallman) review
- eFilmCritic.com (Jay Seaver) review
- San Francisco Chronicle (Mick LaSalle) review
- Movie Mom (Nell Minow) review
- Boston Herald (James Verniere) review
-
Ebert Presents: At the Movies (Christy Lemire and Ignatiy Vishnevetsky)
review [+,+]
- World Socialist Web Site (Joanne Laurier) review
- Frank's Reel Reviews (Loron Hays) review
- Slant Magazine (Jaime N. Christley) review
- Voir.ca review
- The Land of Eric (Eric D. Snider) review
- Row Three (Andrew James) review
- kids-in-mind evaluation [2.3.3]
- Film.com (William Goss) review
- Film.com (Laremy Legel) review
- Plugged In evaluation
- Cinopsis review
- New York Observer (Rex Reed) review
- The Boston Phoenix (Betsy Sherman) review
- ReelTalk (Betty Jo Tucker) review
- ReelTalk (Donald Levit) review
- Boxoffice Magazine (Pete Hammond) review
- The Trades (Lindsay Brand) dvd review
- El Criticon (Antonio Méndez Casanova) review
- The Daily Telegraph review
- Movieline (Stephanie Zacharek) review
- Slate (Dana Stevens) review
- Big Picture Big Sound (David Kempler) review
- The Flickering Wall (Jorge Mourinha) review
- Shadows on the Wall (Rich Cline) review
-
ReelzChannel (Richard Roeper)
review
- ViewLondon (Matthew Turner) review
- MovieMaze.de (Matthias Pasler) review
- Bullz-Eye.com review
- The House Next Door (Glenn Heath Jr.) review
- The House Next Door (Tom Stempel) review
- The House Next Door (R. Kurt Osenlund) review
- The House Next Door (Elise Nakhnikian) review
- The House Next Door (Ted Pigeon) review
- Hollywood and Fine (Marshall Fine) review
- Sight and Sound review
- New York Post (Lou Lumenick) review
- La Presse, Montréal (Marc-Andre Lussier) review
- The Stranger (Paul Constant) review
-
Newsday (Rafer Guzman)
review
- Cinema Blend (Eric Eisenberg) review
- Combustible Celluloid (Jeffrey M. Anderson) review
- CinemaZone.dk review
- Austin Chronicle review
- indieWIRE (Leonard Maltin) review
- Toronto Star (Peter Howell) review
- nowrunning.com (Satyen K. Bordoloi) review
- Three Movie Buffs review
- The Arizona Republic (Bill Goodykoontz) review
- Film e Dvd review
- Boston Globe (Ty Burr) review
- NOW Magazine (Glenn Sumi) review
- One Guy's Opinion (Frank Swietek) review
- Q Network Film Desk (James Kendrick) review
- The Grid TO capsule review
- The Playlist (Kevin Jagernauth) review
- Erik Lundegaard review
- CBC.ca Arts (Eli Glasner) review
- The Globe and Mail capsule review
- The Movie Boy (Dustin Putman) review
- Laramie Movie Scope (Patrick Ivers) review
- Laramie Movie Scope (Robert Roten) review
- Daily Film Dose (Alan Bacchus) review
- Jigsaw Lounge (Neil Young) review
- DVD Talk (Jason Bailey) review
- Mark Reviews Movies (Mark Dujsik) review
- CollegeMovieReview.com (Stephen Davis) review
-
The Cranky Critic (Chuck Schwartz)
review
- HollywoodChicago.com review
- St. Louis Post-Dispatch review
- Nights and Weekends (Kristin Dreyer Kramer) review
- Tony Medley review
- Matt's Movie Reviews (Matthew Pejkovic) review
- Village Voice (Melissa Anderson) review
- Village Voice (Karina Longworth) review
- A Nutshell Review (Stefan S) review
-
Just Seen It
review
- RopeofSilicon (Brad Brevet) review
- E! Online (L. Thompson) review
- Cinema 2000 (Eurico de Barros, João Lopes; Jorge Pinto) review
- Critics at Large (Shlomo Schwartzberg) review
- CinemaFunk (Aaron Weiss) review
- St. Paul Pioneer Press (Chris Hewitt) review
- Phil on Film (Philip Concannon) review
- The Onion A.V. Club review
- CompuServe (Harvey S. Karten) review
- The Atlantic (Benjamin Mercer) retrospective
- Moviepie.com review
- TIME Magazine (Mary Corliss) review
- The Guardian (Peter Bradshaw) review
- The Globe and Mail (Rick Groen) review
- Time Out (Dave Calhoun) review
- The Cinema Source review
- Lobo Howls (Judith Wolfe) review
- Screenjabber review
-
Cinema Autopsy (Thomas Caldwell)
review
- U.S. Conference of Catholic Bishops review
- Edward Copeland on Film (Edward Copeland) review
-
NY1 (Neil Rosen)
review
User Reviews
-
Jan 15, 2012 03:36 pm
Matt said: A
If you love movies, and all time classic cinema, do yourself a favor and go watch this. If all goes right, this will be the first silent movie to win Best Picture, since... well, the first silent movie that won Best Picture, "Wings (1927)".
-
Mar 02, 2012 02:23 am
Steve said: B
A clever idea done really well. But "Best Picture"? No way. For much of it, staying awake was a challenge.
-
Mar 11, 2012 07:50 pm
Dennis said: B
Yet another remake of "A Star is Born", this one with a twist. Best Actor--maybe, Best Picture--NO WAY--"Hugo" was far superior in all regards. An enjoyable film but not great. Their were several better films last year.
-
May 13, 2012 10:10 pm
Bruce said: C
Not a very good movie. Cannot believe it won Oscar for Best Picture. Mediocre sums it up for me.












Follow us:

Subscribe: